Issue 48 of The New Mosquito was mailed to Society members by our printers this week. This issue features a fascinating in-depth piece about the 26th Divisional Company Theatre Company and has articles ranging from the Italian Regia Marina to the Society’s innovative ‘Trench Maps Place Names Project’. Not to be missed!
UK members should receive their copy by September 25th, overseas members a little later. If you haven’t received yours, do please let us know and we’ll get a copy to you asap.
Eight years ago, at the start of the centenary of the Macedonian campaign, the Society ‘adopted’ Muffin, a mule at the Redwings Horse Sanctuary at Caldecott in Norfolk. This was to acknowledge the huge contribution made by animals – especially mules – in the campaign. Through his column in ‘The New Mosquito’ we have learned more about mules in general and Muffin in particular. It has been clear from recent updates, though, (the last is in the forthcoming NM48) that Muffin has been feeling his age and experiencing declining health. So it was sad, but not altogether surprising, to receive this from Redwings:
Staff at Redwings Horse Sanctuary are heartbroken to announce the death of Muffin the mule, its much-loved and longest serving Adoption Star.
The beloved boy was 36 years old and had been at Redwings since he was rescued from slaughter in 1987 along with his mum, a pony called Doris, when he was just a tiny foal.
Tragically, Doris passed away shortly after their arrival at the Sanctuary when it was discovered she had a stomach ulcer. Baby Muffin had become friends with another youngster – April – and, with the support of the Redwings staff who cared for him, went on to become one of the charity’s most famous Adoption Stars for 30 years.
The Redwings Adoption Scheme allows people to support the charity through sponsoring one of their residents, who in turn receive updates on their lives as well as the chance to visit them. The funds raised go towards the care of their friend and that of the other horses, ponies, donkeys and mules at Redwings.
Lynn Cutress, Redwings Chief Executive, said: “We know so many people will be upset to hear this news. It’s left a huge hole in the hearts of all the staff here at Redwings and we know our supporters will feel that too.
“When people discover you work here, they always tell you that they remember Muffin and ask if he’s still with us. They tell you that their grandparents or parents sponsored him for them as gifts, and they grew up with his pictures on their childhood bedroom walls.
“Some families sponsored him for generations, and our priority was to write to them all personally before announcing this publicly as we wanted them to be the first to know.
“Visitors to Redwings Caldecott, where he lived, were delighted by Muffin’s friendly nature and mischievous ways for over three decades, as of course were the staff who cared for him day in and day out. We all loved him dearly.”
In his later years Muffin was diagnosed with Cushing’s disease (PPID) which made him prone to a painful hoof condition called laminitis. As a result of his specialist needs, which increased with his age, Redwings retired him from the Adoption Scheme in 2017 so he could enjoy a quieter life with his friends.
As such an elderly boy, it was becoming increasingly challenging to care for him without him needing to have extended periods of time away from his herd. The recent addition of front shoes helped him feel more comfortable, and happily he had recently been living on a more-gentle woodchip paddock at his Caldecott home with a friend. Unfortunately, he had become very reluctant to take his medication and despite his carers trying various foods and methods of feeding and providing him with enrichment activities to improve his emotional health whilst in vet care, these measures were not working as well as was hoped. Sadly, on 11th September, it was decided that the kindest thing to do was to put Muffin to sleep to prevent his health and comfort deteriorating.
Laura Starkey, Redwings Caldecott Equine Centre Manager, said: “Our staff and the vet team cared for Muffin with such love and dedication.
“Muffin was one in a million, such a patient, calm boy. He loved his feed, and would often stand waiting by his bowl, 30 minutes before time, with a face that said: ‘What’s been keeping you?’. He took life at his own pace and you certainly couldn’t rush him. He has been here since the beginning of Redwings Caldecott and we will miss him terribly.”
Muffin receiving his SCS membership certificate and badge from Robin Braysher on his birthday in April 2016 – ginger biscuits may also have changed hands! (Photo by Robin Braysher).
Young Muffin and mum, Doris, in 1987 (thanks to Redwings for the photo).
The birthday boy, April 2023 (thanks to Redwings for the photo).
Muffin at sunset, summer 2023 (thanks to Redwings for the photo).
The SCS Annual Meeting takes place on Saturday 7th October. If you haven’t already reserved your place, please do so by Monday September 25th. Click here for details of how to do this. We look forward to seeing you at the AGM!
I’m grateful to a recent correspondent with the Society for bringing to attention (to me at least!) the work of artist Henry Lamb. In 2014, the Whitworth Art Gallery in Manchester had an exhibition, The Sensory War, to mark the 100th anniversary of WW1. One of the works exhibited was by Lamb: Advanced Dressing Station on the Struma 1916
Ana Carden-Coyne, who co-curated the exhbition Visions of the Front 1916-18, for the Somme centenary also featured the painting and describes it in this way:
“The scene of a dressing station focuses on the relationship between a wounded man and a stretcher-bearer, who attends him with a cup of water, a great relief that many soldiers wrote about as the comfort given between men. Thirst and cold were understood much later in the war as signs of hemorrhage and shock. The bearer’s hand gently touches the wounded man’s head, providing comfort symbolic of the pietà (Christian iconography of Mary cradling Jesus’ corpse). Indeed, the pietà was often used in war-time humanitarian images of nurses caring for wounded men. But Lamb transforms the theme into an effigy of masculine care and the intimate brotherhood of shared suffering. Placed on the ledge of a shallow trench, the stretcher resembles an altar. In the right hand corner is a Thomas splint used for compound fractures, from which soldiers could die. Pathos is also created by the figure on the left, head in hand, perhaps affected by malaria, a common disease of this front, or perhaps a reference to psychological suffering. The central figure stands over the patient, staring pensively into the distance. Made three years after the end of the war, the composition of this painting symbolises the pain and succour of the entire conflict.”
There’s also discussion of the painting by one of the team at The Whitworth here:
Henry Lamb was born in Australia in 1883 and educated at Manchester Grammar School, before studying medicine at Manchester University Medical School and Guy’s Hospital in London. He abandoned medicine in 1906 to study painting at the Chelsea School of Art but “with the outbreak of the first world war Lamb returned to his study of medicine and served as a doctor in the Royal Army Medical Corps in France, Salonika and Palestine where he was awarded the Military Cross. He was not an official war artist but was always sketching and drawing in spare moments. These sketches with memories from his time on the Macedonian Front and the Palestine campaign formed the basis of large-scale paintings made after the war. ‘Irish Troops in the Judaen Hills’, now in the Imeperial War Museum, and ‘Advanced Dressing Station on the Struma’ for Manchester City Art Gallery are amongst the most extraordinary of his career. In 1928 he married Lady Pansy Pakenham and moved to the quiet Wiltshire village of Coombe Bissett where they would remain for the rest of their lives. Lamb was appointed an official war artist for the second world war and after first wanting to document the war cabinet decided on portraits of soldiers and studies of servicemen at work across the South of England. At the same time as his appointment as a war artist Lamb was elected as an associate of the Royal Academy and a Trustee of both the National Portrait Gallery and the Tate. He was finally awarded full membership of the Royal Academy in 1949.” Sources here and here.
John asked a question on the previous post about 10th (Irish) Division’s Army Service Corps Divisional Train in which a relative may have served as a driver of mule transport, so I thought I would share this photograph from my collection. From the summer of 1916, it shows an ASC column stretched out over a Macedonian plain. These draught mule are pulling supply limbers which were more flexible than lumbering, general service wagons, but weren’t as useful in the hills and mountains of Macedonia as nimble pack mules.
Continue reading “For John …”No, I’m not straying off topic with a post about drug smuggling, this is genuinely about four-legged equines. Mules are a rare sight in the UK so I guess, for most of us, they are something from the past – maybe an animal that frustrated or amused our grandfathers (or great-grandfathers etc.) over one hundred years ago in Macedonia. However, because of their versatility they are still very much in use around the world, particularly in hilly or mountainous country.
Continue reading “Colombian Mules”With family members heading off to tropical climes, I was quick to share my ‘specialist knowledge’ of anti-mosquito precautions – based entirely on reading about the BSF – and shared this splendid photo with the travellers:
Lance Corporal Harrison, 12th Battalion, Lancashire Fusiliers, wearing protective anti-mosquito clothing as issued to troops on night duty during the summer months. Photograph taken at Bowls Barrow, 2 June 1918. © IWM HU 82035
I’m not sure how impressed they were, but I thought it gave an excellent impression of the precautions to take. So I was especially pleased to see anti-mosquito face veils at a reasonable price in a well-known hiking and outdoors shop and promptly bought one for each member of the party. I have seen them in use, although this was in the UK and – I suspect – more to humour me than a serious indication of an intention to wear them in foreign parts.
Just think how chuffed members of the BSF would have been to have these – they even look great with a slouch hat …
(of course, in proper use the veil should be tucked in at the neck!)
Well, they are on their travels and I don’t like to ask if they’ve used them yet, but I will be looking out for traces of mosquito bites on their faces when they return!
If you are travelling this summer, I hope you manage to avoid mosquitoes and midges. If not, maybe you should invest in one of these veils as a practical tribute to the BSF!
That infallible organ of facts and certainty, Wikipedia, has this to say about the ‘Illustrated War News’, At the outbreak of the war, the magazine ‘The Illustrated London News’ began to publish illustrated reports related entirely to the war and entitled it ‘The Illustrated War News’. The magazine comprised 48 pages of articles, photographs, diagrams and maps printed in landscape format. From 1916 it was issued as a 40-page publication in portrait format. It was reputed to have the largest number of artist-correspondents reporting on the progress of the war. It ceased publication in 1918. Source
There are digitised copies of ‘The Illustrated War News’ on our SCS Digital Collection DVDs. I thought it might make an interesting occasional series to draw on the magazine and take a look at how the Salonika Campaign was reported. This report from December 27, 1916, for example, shows the Royal Engineers at work, “Among the mountains on the Balkan Front…”
The text reads: Among the mountains on the Balkan Front all military bridging for anything beyond temporary makeshift work has to be done solidly. The mountain streams are liable to freshets, a sudden rising of the water, owing to heavy rainfall or sudden thaws at the higher altitudes. The flood-water then sweeps down along the river channel in spate, as a foaming and deep torrent which carries away everything that has not been stoutly and firmly fixed. A military bridge built to withstand such conditions by some of our British Royal Engineers with the Salonika Army is shown completed in the upper illustration. At the time, the river seen was flowing in its ordinary state. In the lower, driving home one of the upright supports of the roadway is seen.
The Illustrated War News December 27, 1916.
The tower most associated with the Salonika campaign is Thessaloniki’s iconic White Tower but, on a recent trip to London, I discovered connections with the campaign at another iconic landmark – The Tower of London. During a visit we took a look in the Chapel of St Peter ad Vincula which, not surprisingly, remembers significant figures at the Tower over the centuries.
Continue reading “Remembered at the Tower”Continue reading “Happy International Logistics Day!”National Logistics Day is celebrated on June 28 every year to honor the work of the hardworking professionals in the logistics sector.
Salonika Campaign Society, 1915-1918 