… these photos from the IWM’s incomparable online collections immediately sprang to mind to share with you:Continue reading “On International Dance Day …”
Applying modern production techniques to material from the Imperial War Museums’ First World War film archive, director Peter Jackson transformed grainy black and white footage into vibrant, moving and startling colour images. The film, ‘They Shall Not Grow Old’, has received many positive reviews. The Guardian’s film critic, Peter Bradshaw said of it,
“The effect is electrifying. The soldiers are returned to an eerie, hyperreal kind of life in front of our eyes, like ghosts or figures summoned up in a seance. The faces are unforgettable.”
It is a remarkable film.
While it is unlikely that any of us will have family film archives from that time, many have photographs. What if we could ‘colourise’ these in the way Peter Jackson has with film? Well, there are a few websites that provide this service. Image Colorizer is easy to use, has free and paid accounts, and says that, “All uploaded items will be cleared every 24 hours. No photos will be stored and used for other purposes without your permission.”
I tried the service with a couple of photographs from the family collection. The first is of my grandfather, Arthur Hutt, shortly before leaving for France in 1915 at the age of 17. The second shows him presenting the Histon homeguard for inspection during World War Two. To my eyes, there is some added vibrancy to the first photo but much more so with the second image. See what you think.
My grandchildren, aged seven and nine, were impressed with these and other colourised photos of their great-great-grandfather. For younger generations, colourising, like the Peter Jackson film, may be a way to bring the past more readily into the present. If you would like to try it, here’s that link again: Image Colorizer.
Remembering those from all nations who found themselves far from home and loved ones in those Macedonian Christmases from 1915 to 1919.Continue reading “Frohe Weinachten!”
Author Steve Blandford got in touch with the society recently to share news of his new novel, Iant. Much of the novel is set in Salonika and is based on his grandfather’s experiences. As I haven’t read it (yet), it’s best to leave the introduction to Steve himself:
“My recently published novel Iant was inspired by my grandfather, David Owen, who died in 1956, aged 59. I knew little about him as I was two when he died, but the few stories I was told stayed with me and I finally got around to weaving some of these into a novel.
Some of what I was told concerned his service in and around Salonika during the later part of the First World War.
I am not a historian of course, though I have tried to base what I have written on some credible writing about the Salonika Campaign. If I have made errors then I apologise, though it is important to reiterate that Iant is a work of fiction.
What became clear to me as I began to write this section of the book was how little is known about this part of the war, at least by the wider public. I was finishing a new draft of Iant during the celebrations of 2018 and little was made of the Salonika Campaign in the wider media. I felt pleased therefore that I had perhaps made a very small contribution at least to a wider sense of a fascinating time and place where so many died and suffered.
The story of Iant Evans is only partly a story of a young man sent to fight of course. I was also very interested in the impact of such experiences on men and women who returned to the small places from which they came. How did they try and remake their lives and relationships?
In the case of my grandfather, one thing he coped with was the terror of temporary blindness, though in the novel this leads him to a very different set of experiences. His blindness became the inspiration for the cover of the book which was produced by my daughter, Beth Blandford, an illustrator whose work can be found via @blandoodles. The book therefore provides a thread across three generations.”
I’ve often wondered about the emotional and physical impact of the campaign on my own grandfather, a 16 year-old enlistee from rural Gloucestershire, who returned home in December 1918 seriously ill with malaria , so I very much look forward to reading Steve’s exploration of Iant’s war service and post-war life.
A final thought from Steve: “I am so glad to have been put in touch with the Salonika Campaign Society. The scope of what it seems to have achieved looks remarkable. If anyone would like to contact me about Iant please do get in touch.”
I was listening a while ago to an oral history on the Imperial War Museum’s site from an unnamed British stretcher bearer on the Struma Front. He may have been forgotten but he lives alongside more remembered company in the form of composer Ralph Vaughan Williams and artist Stanley Spencer, both of whom served as stretcher-bearers in the campaign.
The Great War Stories: Luton’s Greatest has an account by Private Robinson who in Gallipoli, faced challenges that stretcher-bearers in Salonika would have found very similar,
“People have no idea what difficulties and dangers have to be overcome in evacuating wounded. The hilly nature of the country does away with the idea of mechanical transport, and every case has to be carried to other hospitals on the beach on stretchers.”
Perhaps it’s because many conscientious objectors signed up for medical, rather than military service, that many accounts of the lives and work of stretcher-bearers have not survived. Maybe, but that’s just speculation on my part… However, one set of diaries has not only survived but been re-discovered by author Sara Woodall, great-niece of the author of the diaries.
Sara discovered her great-uncle’s diaries while at home in Cambridge and was astounded to find both written accounts and accomplished illustrations. The author of these diaries was Bernard Eyre Walker, a stretcher-bearer for the British Expeditionary Force and later one of Cumbria’s leading painters.
The existence of the diaries is something of a miracle in itself. Forced to retreat by a German attack, Bernard had to abandon the diaries in a field hospital. The diaries were later picked up by a German soldier and taken to Belgium, before eventually making their way home to Bernard in Keswick.
Illustrations by Bernard Eyre Walker from his war-time diaries.
Sara has edited and published the diaries, complete with 140 of Bernard’s illustrations from the trenches. I haven’t read the diaries myself, and it’s not an account of stretcher- bearers in Salonika, but it’s a primary source of a largely unrecorded aspect of the time and likely to have a wide appeal. There’s more about the book here.
A Voice From the Trenches 1914-1918 From the Diaries and Sketchbooks of Bernard Eyre Walker. Edited by Sara Woodall. Price £19.95 (+ £3.10 p&p) from Sara Woodall, 17 High Street, Great Eversden, Cambridge, CB23 1HN
The latest video offering from the excellent Great War Huts seems particularly relevant to the Salonika campaign – Hospital Blues: The British Hospital Uniforms of the First World War. Given the high sickness rates in the BSF, not to mention wounds and accidents, many men would have found themselves in hospital blues.Continue reading “Great War Huts – Hospital Blues”
My thanks go to Edward’s grandson, David , not just for contacting me about Edward’s story and sending some splendid photos to share here, but also for his great patience. I’m ashamed to say that he first got in touch in early 2018 and only now have I published this! I know there are others out there who have submitted material to me so, I hope that this will reassure you – I may be slow but I will get there in the end!Continue reading “Faces of Salonika : Edward Gallon”
My thanks go to Rosemary Newton, granddaughter of Cecil Deadman who served in Salonika with the Army Service Corps. 175347 Private Deadman was in 706 MT Company, ASC, which was part of the supply column attached to the Serbian army.
Rosemary has published a book of her family history (1880-1950), which includes an account of Private Deadman’s time in Salonika. She has kindly made this part of her book available to us and you can see it online here. This fascinating article is copiously illustrated with original photos, postcards and documents. Amazingly, he was one of the three brothers serving with the BSF – and they had the opportunity to meet up!
Find out more
Black soldiers in the BSF seem to be rather thin on the ground – in fact I only know of one: Charles Bailey of 9/King’s Own. I first gave Charlie a mention last year, but am happy to mention him again in case you missed the fascinating website in which he features: Charlie Bailey’s War – The story of WW1 soldier Charles Bailey a Welsh miner of West Indian origin plus some of the men he served with.
With November fast approaching, I realise I’d better move fast if I want to mark Black History Month – although I would, of course, add something of interest at any time of the year!