The Salonika Campaign Bibliography, researched and compiled by SCS Member Keith Roberts, is a fantastic resource for those researching or delving deeper into the campaign. Now in its sixth edition, it lists over 480 entries from a variety of sources. Interestingly, these sources also include novels and literature. Although literature isn’t usually a source for historically accurate facts, it has a role in helping to understand, to some degree, the experience and attitudes of others in other times.
With that in mind, and having recently been reading about the service of nurses in the campaign, two novelists from Keith’s list piqued my interest: Bessie Marchant and May Wynne the authors, respectively, of A V.A.D. in Salonika and An English Girl in Serbia – both novels written primarily for a young audience.
A V.A.D. in Salonika (1917) follows a young British woman, Joan Haysome, who volunteers to serve as a V.A.D. (Voluntary Aid Detachment) nurse in Salonika. The plot is full of unlikely coincidences as Joan, determined to prove her worth, and atone for a past mistake, attempts to stop a German spy within the Allied ranks. It is a novel of its time, and for that reason, interesting in the way it reflects diffierent contemporary attitudes towards women volunteering in the war effort.
The inspector bowed, looking properly impressed, but he had his private opinion all the same as to the use of young ladies in V.A.D. work. To his way of thinking, if one of the leisured classes set about trying to do something useful, it meant that a servant of some sort was necessary to do the work over again. Rich folks had their place in the scheme of creation, but their place was mainly to provide honest employment for other people.
Joan is not a passive or submissive figure. Marchant frequently describes Joan’s thought processes as she struggles to overcome doubts and crises of confidence to show courage, resourcefulness, and responsibility for others.
In An English Girl in Serbia (1916), two 16-year-old twins, Nancy and Tom Allerson, become caught up the turmoil of wartime Serbia. This is more of a “ripping yarn” involving danger and dramatic adventure. There is a little more detail about the war than in Marchant’s novel, with a depiction of the Serbian retreat from the Bulgars. Nancy has far less introspective reflection than Joan but the story does paint Nancy as an active, resourceful survivor determined to see the ordeal through.
Both novels follow a tradition of daring adventure stories for boys but in these the focus shifts to central female characters and, particularly in A V.A.D. in Salonika, contemporary attitudes to women in war,
“But don’t you think that the girls want to do their bit as well as the boys? The harder the work the greater the patriotism. A girl should have her opportunity, and she may be trusted to rise to it.”
I quite enjoyed reading the two books, which are fast-paced and easy to read. In these ‘enlightened’ times, An English Girl in Serbia would probably come with a trigger warning regarding some of its language and attitudes! It is, perhaps, more interesting from a historical point of view with its references to the Serbian retreat and comitadji. And, although the plot in A V.A.D. in Salonika relies too heavily on coincidence, the novel is more thoughtful. Joan is a much more interesting and developed character and, as such, the book may be seen as part of the wider body of literature that helped shape British public opinion about the role of women in war.
My thanks go to Keith for adding these titles to the SCS Bibliography:)
Salonika Campaign Society, 1915-1918 