Category: Contemporary

Mettle and Steel: the AANS in Salonika

Searching for information recently about nursing in Salonika, I stumbled across Mettle and Steel: the AANS in Salonika. It’s an account of the punishing nature of Australian military nursing in Salonika. From 1917, Australian nurses were sent into this difficult and unfamiliar theatre of war to relieve the British, French and Canadian nurses and to provide nursing care to British soldiers and prisoners of war. As nursing ‘our boys’ was a major motivation for overseas service, it was something of a disappointment for many that they could not nurse Australian soldiers.

Accession Number: H16005
A group of Australian Army nurses about to depart from Adelaide for Salonica, 14 June 1917. From the left: Miss Molly Wilson, Mrs J. Tyers, Miss Edith Horton, Miss Marion Geddes, Miss Laura Begley, Mrs Jessie McHardie White (Principal Matron), Mrs Forsyth (wife of General Forsyth), Miss Violet Mills (Matron of No 5 Australian General Hospital who was on a visit to Adelaide), Miss Alice Prichard and Miss Florence G. Gregson.

I hadn’t quite appreciated the scale and complexity of the Australian nursing presence: four contingents were dispatched via Egypt, under constant U-boat threat, and then distributed across a shifting network of British hospitals in Greece and the surrounding hills. Each unit was allocated one Matron, ten AANS Sisters and eighty Staff Nurses. The nurses were led by senior matrons such as Jessie McHardie White, who oversaw not only clinical standards but the welfare and morale of hundreds of nurses. Staff Nurse Lucy May’s personal account helps convey the experience of Salonika in winter:

[12 October 1917] Water racing thru wards & reached halfway up bedsteads, haversacks, boots, socks, pants floating down road…
[21 October] Lanterns blowing out & leaving you in dark…
[23 October] Still don weather attire, only wearing men’s pyjama pants, putties, gum boots, man’s shirt also. Had dress tucked around waist all night…
[2 November] Imagine me [on night duty] over my ankles in mud, dragging one foot out then other foot & standing on one leg in grim peril or sitting down hastily…feeling the rain oozing through my mack. This is the life?”

As winter ended, the nurses then faced oppressive summers dominated by malaria. The AANS uniform was adapted in an attempt to counter the mosquito risk. A ‘mosquito proof’ nurse would be clad in her working dress, huge gloves, rubber boots and thick veil which, according to Lucy Tydvil Armstrong:

“made it quite impossible to carry out our duties, when men were rigoring and vomiting all night long, we just had to do away with the precautions, & run the risk of being bitten with mosquitos.”

Accession Number: H15761
A group of Australian Army Nursing Service nurses at the 52nd British General Hospital at Kalamaria, Greece ready for night duty wearing headdress provided for protection against mosquitoes. C 1918.

Despite the precautions, Matron McHardie White later reported that, ‘most of the nurses were affected by it [malaria] one time or another…’ By August 1918 45 nurses had been sent back to Australia from Salonika and another 14 were waiting to go, mostly on grounds of ill health. The death of Sister Gertrude Evelyn Munro in 1918 underlines the very real cost of the AANS service.

Accession Number: H13100
Sisters Gertrude Evelyn Munro and Amy Christie of the AANS. The photograph was probably taken at the 60th British General Hospital, Salonica.

Despite deteriorating health and official doubts about the value of their continued presence, the nurses remained in Salonika until after the war ended, not returning home until early in 1919. Their courage and professionalism were acknowledged through praise and decorations from British, Serbian and Greek authorities. Matron McHardie White, as just one example, was awarded the Serbian decoration of the Order of St Sava and was made a Member of the British Empire.

Nurses’ Narratives

It’s always interesting to read first-hand accounts of experience and so it was good to see that some diary and retrospective narratives written by the AANS nurses have been, and are being, transcribed. Staff Nurse Vivian A Lee Shea, for example, recalled,

We arrived in the midst of summer & the height of the Malaria & Dysentry season, & work commenced right away. We had much to learn. We were all new to each others ways & the medical Staff & personnel had only just landed as we ourselves had.

The Hospital was rather well situated at an elevation of about 2000 ft above sea level & this gave us a cooler summer, but made it impossible to live there in the winter months. During the winter months we occupied the Prisoners of War Hospital in the Base area. Here we nursed British Troops, as well as prisoners of War, the latter were representatives from practically every one of the Baltic States. Germans Bulgars, Turks, Romanians, Greeks Albanians & Serbs, in fact any one found in enemy lines.

Annie E Major-West remembered,

We remained in Salonika till February 1919, during the whole time the work was very heavy at times the hours on duty were particularly long. these conditions were occasioned by the prevalence of Sickness amongst the Sisters and Medical Officers.
Frequently the Bulgars & Germans were over in Planes endeavouring to bomb
the Town but the Vicinity of the Hospital was never damaged, during the Month
of August 1917 the town was partially destroyed by fire, Supposed to have
been the work of Spies.

“A Girl Should Have Her Opportunity”: Two Heroines in Fiction in Salonika

The Salonika Campaign Bibliography, researched and compiled by SCS Member Keith Roberts, is a fantastic resource for those researching or delving deeper into the campaign. Now in its sixth edition, it lists over 480 entries from a variety of sources. Interestingly, these sources also include novels and literature. Although literature isn’t usually a source for historically accurate facts, it has a role in helping to understand, to some degree, the experience and attitudes of others in other times.

With that in mind, and having recently been reading about the service of nurses in the campaign, two novelists from Keith’s list piqued my interest: Bessie Marchant and May Wynne the authors, respectively, of A V.A.D. in Salonika and An English Girl in Serbia – both novels written primarily for a young audience.

A V.A.D. in Salonika (1917) follows a young British woman, Joan Haysome, who volunteers to serve as a V.A.D. (Voluntary Aid Detachment) nurse in Salonika. The plot is full of unlikely coincidences as Joan, determined to prove her worth, and atone for a past mistake, attempts to stop a German spy within the Allied ranks. It is a novel of its time, and for that reason, interesting in the way it reflects diffierent contemporary attitudes towards women volunteering in the war effort.

The inspector bowed, looking properly impressed, but he had his private opinion all the same as to the use of young ladies in V.A.D. work. To his way of thinking, if one of the leisured classes set about trying to do something useful, it meant that a servant of some sort was necessary to do the work over again. Rich folks had their place in the scheme of creation, but their place was mainly to provide honest employment for other people.

Joan is not a passive or submissive figure. Marchant frequently describes Joan’s thought processes as she struggles to overcome doubts and crises of confidence to show courage, resourcefulness, and responsibility for others. 

From A V.A.D. in Salonika

In An English Girl in Serbia (1916), two 16-year-old twins, Nancy and Tom Allerson, become caught up the turmoil of wartime Serbia. This is more of a “ripping yarn” involving danger and dramatic adventure. There is a little more detail about the war than in Marchant’s novel, with a depiction of the Serbian retreat from the Bulgars. Nancy has far less introspective reflection than Joan but the story does paint Nancy as an active, resourceful survivor determined to see the ordeal through.

From An English Girl in Serbia

Both novels follow a tradition of daring adventure stories for boys but in these the focus shifts to central female characters and, particularly in A V.A.D. in Salonika, contemporary attitudes to women in war,

“But don’t you think that the girls want to do their bit as well as the boys? The harder the work the greater the patriotism. A girl should have her opportunity, and she may be trusted to rise to it.”

I quite enjoyed reading the two books, which are fast-paced and easy to read. In these ‘enlightened’ times, An English Girl in Serbia would probably come with a trigger warning regarding some of its language and attitudes!  It is, perhaps, more interesting from a historical point of view with its references to the Serbian retreat and comitadji. And, although the plot in A V.A.D. in Salonika relies too heavily on coincidence, the novel is more thoughtful. Joan is a much more interesting and developed character and, as such, the book may be seen as part of the wider body of literature that helped shape British public opinion about the role of women in war.

My thanks go to Keith for adding these titles to the SCS Bibliography:)

More…

‘Topical Budget’ – newsreels

Topical Budget was one of the biggest British newsreels during the silent film era, competing with Gaumont Graphic and Pathé Gazette. It was produced by William Jeapes’ Topical Film Company and first released in 1911. Although several newsreels existed at the time, only Topical, Gaumont, and Pathé remained by the middle of World War I.

Topical had fewer resources than its competitors, and it might not have survived if not for a deal with the War Office, which needed an outlet for its official war films. In 1917, the War Office Official Topical Budget was launched, giving the newsreel exclusive footage from the front lines. Later that year, the War Office Cinematograph Committee (WOCC) bought the Topical Film Company, turning the newsreel into a useful propaganda tool.

After the war, the newsreel once again became the Topical Budget under the ownership of newspaper magnate Edward Hulton. Finally, never having adopted sound, the newsreel ceased production in March 1931.

A significant portion of Topical Budget’s wartime footage is preserved at the Imperial War Museum (IWM), where, after a little searching, you can discover many fascinating films from the Salonika Front.

Object description (IWM)

British troops, mainly 22nd Division, on the Salonika Front, 1917-1918 (?).

Full description (IWM)

(Reel 1) Wounded soldiers with mule transport, snow-covered mountains filmed from an aircraft (Mount Olympus ?). A 13-pounder anti-aircraft gun showing the rangefinder in use. A British Army camp, with a bakery and soldiers washing and eating. Three soldiers in a trench fusing Mills grenades. A Royal Engineers wagon laying a line. A view from the rear gunner’s position of a two-seater aircraft taking off, flying over Salonika harbour, the nearby mountains, and a military camp. (Reel 2) Brigadier-General F S Montague-Bates (66th Brigade, 22nd Division) in a posed position. A return shot of the three soldiers fusing Mills grenades. They change to fitting magazines on Lewis machine guns and using a trench periscope. General Guillaumat inspects a British battalion. General scenes of the British Army camp. A Red Cross wagon on the move. A heavily camouflaged gun (possibly a 60-pounder) and a 6-inch howitzer. More soldiers in trenches. Major-General J Duncan, commanding 22nd Division, and Lieutenant-General H F M Wilson posed together. British soldiers at bayonet practice. (Reel 3) A Highland battalion, probably Black Watch, with its pipe band, and a single piper playing. A French general decorates British troops, who march past.

Video source, all rights acknowledged

https://www.iwm.org.uk/collections/item/object/1060022622

The Illustrated War News

That infallible organ of facts and certainty, Wikipedia, has this to say about the ‘Illustrated War News’, At the outbreak of the war, the magazine ‘The Illustrated London News’ began to publish illustrated reports related entirely to the war and entitled it ‘The Illustrated War News’. The magazine comprised 48 pages of articles, photographs, diagrams and maps printed in landscape format. From 1916 it was issued as a 40-page publication in portrait format. It was reputed to have the largest number of artist-correspondents reporting on the progress of the war. It ceased publication in 1918. Source

There are digitised copies of ‘The Illustrated War News’ on our SCS Digital Collection DVDs. I thought it might make an interesting occasional series to draw on the magazine and take a look at how the Salonika Campaign was reported. This report from December 27, 1916, for example, shows the Royal Engineers at work, “Among the mountains on the Balkan Front…”

The text reads: Among the mountains on the Balkan Front all military bridging for anything beyond temporary makeshift work has to be done solidly. The mountain streams are liable to freshets, a sudden rising of the water, owing to heavy rainfall or sudden thaws at the higher altitudes. The flood-water then sweeps down along the river channel in spate, as a foaming and deep torrent which carries away everything that has not been stoutly and firmly fixed. A military bridge built to withstand such conditions by some of our British Royal Engineers with the Salonika Army is shown completed in the upper illustration. At the time, the river seen was flowing in its ordinary state. In the lower, driving home one of the upright supports of the roadway is seen.


The Illustrated War News December 27, 1916.