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Advanced Dressing Station on the Struma 1916 (Henry Lamb)

I’m grateful to a recent correspondent with the Society for bringing to attention (to me at least!) the work of artist Henry Lamb. In 2014, the Whitworth Art Gallery in Manchester had an exhibition, The Sensory War, to mark the 100th anniversary of WW1. One of the works exhibited was by Lamb: Advanced Dressing Station on the Struma 1916

Ana Carden-Coyne, who co-curated the exhbition Visions of the Front 1916-18, for the Somme centenary also featured the painting and describes it in this way:

“The scene of a dressing station focuses on the relationship between a wounded man and a stretcher-bearer, who attends him with a cup of water, a great relief that many soldiers wrote about as the comfort given between men. Thirst and cold were understood much later in the war as signs of hemorrhage and shock. The bearer’s hand gently touches the wounded man’s head, providing comfort symbolic of the pietà (Christian iconography of Mary cradling Jesus’ corpse). Indeed, the pietà was often used in war-time humanitarian images of nurses caring for wounded men. But Lamb transforms the theme into an effigy of masculine care and the intimate brotherhood of shared suffering. Placed on the ledge of a shallow trench, the stretcher resembles an altar. In the right hand corner is a Thomas splint used for compound fractures, from which soldiers could die. Pathos is also created by the figure on the left, head in hand, perhaps affected by malaria, a common disease of this front, or perhaps a reference to psychological suffering. The central figure stands over the patient, staring pensively into the distance. Made three years after the end of the war, the composition of this painting symbolises the pain and succour of the entire conflict.”

There’s also discussion of the painting by one of the team at The Whitworth here:

Henry Lamb was born in Australia in 1883 and educated at Manchester Grammar School, before studying medicine at Manchester University Medical School and Guy’s Hospital in London. He abandoned medicine in 1906 to study painting at the Chelsea School of Art but “with the outbreak of the first world war Lamb returned to his study of medicine and served as a doctor in the Royal Army Medical Corps in France, Salonika and Palestine where he was awarded the Military Cross. He was not an official war artist but was always sketching and drawing in spare moments. These sketches with memories from his time on the Macedonian Front and the Palestine campaign formed the basis of large-scale paintings made after the war. ‘Irish Troops in the Judaen Hills’, now in the Imeperial War Museum, and ‘Advanced Dressing Station on the Struma’ for Manchester City Art Gallery are amongst the most extraordinary of his career. In 1928 he married Lady Pansy Pakenham and moved to the quiet Wiltshire village of Coombe Bissett where they would remain for the rest of their lives. Lamb was appointed an official war artist for the second world war and after first wanting to document the war cabinet decided on portraits of soldiers and studies of servicemen at work across the South of England. At the same time as his appointment as a war artist Lamb was elected as an associate of the Royal Academy and a Trustee of both the National Portrait Gallery and the Tate. He was finally awarded full membership of the Royal Academy in 1949.” Sources here and here.

For John …

John asked a question on the previous post about 10th (Irish) Division’s Army Service Corps Divisional Train in which a relative may have served as a driver of mule transport, so I thought I would share this photograph from my collection. From the summer of 1916, it shows an ASC column stretched out over a Macedonian plain. These draught mule are pulling supply limbers which were more flexible than lumbering, general service wagons, but weren’t as useful in the hills and mountains of Macedonia as nimble pack mules.

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Colombian Mules

No, I’m not straying off topic with a post about drug smuggling, this is genuinely about four-legged equines. Mules are a rare sight in the UK so I guess, for most of us, they are something from the past – maybe an animal that frustrated or amused our grandfathers (or great-grandfathers etc.) over one hundred years ago in Macedonia. However, because of their versatility they are still very much in use around the world, particularly in hilly or mountainous country.

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Mind the mozzies!

With family members heading off to tropical climes, I was quick to share my ‘specialist knowledge’ of anti-mosquito precautions – based entirely on reading about the BSF – and shared this splendid photo with the travellers:

Lance Corporal Harrison, 12th Battalion, Lancashire Fusiliers, wearing protective anti-mosquito clothing as issued to troops on night duty during the summer months. Photograph taken at Bowls Barrow, 2 June 1918. © IWM HU 82035

I’m not sure how impressed they were, but I thought it gave an excellent impression of the precautions to take. So I was especially pleased to see anti-mosquito face veils at a reasonable price in a well-known hiking and outdoors shop and promptly bought one for each member of the party. I have seen them in use, although this was in the UK and – I suspect – more to humour me than a serious indication of an intention to wear them in foreign parts.

Just think how chuffed members of the BSF would have been to have these – they even look great with a slouch hat …

(of course, in proper use the veil should be tucked in at the neck!)

Well, they are on their travels and I don’t like to ask if they’ve used them yet, but I will be looking out for traces of mosquito bites on their faces when they return!

If you are travelling this summer, I hope you manage to avoid mosquitoes and midges. If not, maybe you should invest in one of these veils as a practical tribute to the BSF!

The Illustrated War News

That infallible organ of facts and certainty, Wikipedia, has this to say about the ‘Illustrated War News’, At the outbreak of the war, the magazine ‘The Illustrated London News’ began to publish illustrated reports related entirely to the war and entitled it ‘The Illustrated War News’. The magazine comprised 48 pages of articles, photographs, diagrams and maps printed in landscape format. From 1916 it was issued as a 40-page publication in portrait format. It was reputed to have the largest number of artist-correspondents reporting on the progress of the war. It ceased publication in 1918. Source

There are digitised copies of ‘The Illustrated War News’ on our SCS Digital Collection DVDs. I thought it might make an interesting occasional series to draw on the magazine and take a look at how the Salonika Campaign was reported. This report from December 27, 1916, for example, shows the Royal Engineers at work, “Among the mountains on the Balkan Front…”

The text reads: Among the mountains on the Balkan Front all military bridging for anything beyond temporary makeshift work has to be done solidly. The mountain streams are liable to freshets, a sudden rising of the water, owing to heavy rainfall or sudden thaws at the higher altitudes. The flood-water then sweeps down along the river channel in spate, as a foaming and deep torrent which carries away everything that has not been stoutly and firmly fixed. A military bridge built to withstand such conditions by some of our British Royal Engineers with the Salonika Army is shown completed in the upper illustration. At the time, the river seen was flowing in its ordinary state. In the lower, driving home one of the upright supports of the roadway is seen.


The Illustrated War News December 27, 1916.

Remembered at the Tower

The tower most associated with the Salonika campaign is Thessaloniki’s iconic White Tower but, on a recent trip to London, I discovered connections with the campaign at another iconic landmark – The Tower of London. During a visit we took a look in the Chapel of St Peter ad Vincula which, not surprisingly, remembers significant figures at the Tower over the centuries.

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Bombay Bloomers

If you have read the latest issue of The New Mosquito (47, April 2023), you may recall that in the section on shorts on page 24 I commented that I had yet to see any images of the later pattern of shorts which had flaps to be folded down in the evening to prevent mosquitoes getting to the legs. It turns out that such an image was right in front of me – the Christmas card image on the opposite page showing a combined Yeomanry and cyclist patrol!

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