Author: Andy Hutt

Andy's interest in the campaign comes from his grandfather, Arthur, who served in Salonika as a sapper with the Royal Engineers from 1916-1918. Opinions expressed in these posts are personal and do not necessarily reflect the views of the Society.

The SRA at Mavroplayia

Salonika Reunion Association Centenary 1924-2024

A highlight of the SCS Battlefield Tour of 2023 was a visit to the village of Mavroplayia. The village, named Karamudli back in the BSF’s day, was adopted by veterans of the Salonika Reunion Association between 1951 and 1968 under the Greek Red Cross Village Adoption Scheme. This is commemorated by a plaque now housed in the village heritage centre.

SRA Commemorative Plaque at Mavroplayia

The plaque reads:

             1915  Mavroplayia  1968
 British soldiers defended this village in the 1914-1918 war. The British survivors later became known as the Salonika Reunion Association and hearing, in 1950, that the village had met with adversity they sent relief from Great Britain to its fondly remembered peoples.
 Mavroplayia became a place of pilgrimage for many British ex-soldiers and nurses who had known it in their youth. Friendship with its fine peoples became closer and the help continued until 1968 when the Salonika Reunion Association had to close down.
 Its members to the end were proud that, in their time, the ancient friendship between Greek and Briton stood staunch for over 50 years.

During this bond of 16 years, the SRA sent tools, sewing machines, clothing, toys and much else to the village, which had suffered greatly during the Second World War and Greek Civil War. British veterans also funded repairs to the roofs of the church and school and the supply of piped water to the village.

Soon after the tour’s arrival, a deputation from the village, including the local priest, arrived and the SCS tour party was shown the interior of the church and the old school building, the latter now the containing photographs and objects, including the SRA plaque. The group was then shown a fountain, built in 1916 by French troops, which served as the village water source prior to the arrival of the SRA’s sponsored piped water system. The afternoon concluded with drinks and much conversation and singing with the tour group contributing to the funds for running the heritage centre.

Through its visit the SCS tour had reestablished a small link between Britain and Greece, one forged by the generous spirit of British Salonika Force veterans whose aim, well fulfilled, was to do something tangible to help the Greek people following a second global conflict and bitter civil war. The SCS will maintain this link going forward and aims to return during the 2024 battlefield tour with a commemorative gift for the village in the form of a Salonika Reunion Association standard for display in the heritage centre.

New Year 2024 – looking forward and looking back…

Wishing all our members, friends, their families and loved ones all the very best for a happy and healthy 2024!

Of course, for our Scottish members and friends, this is an extra special time of year. And thoughts of Scotland reminded me that in November (last year!) The Scotsman published an article Remembrance: The Scots-style memorial on a Greek hillside in which the author during a visit to the memorial at Doiran considers that, “If there was an intense feeling of Scotland on this walled-off Greek hill as we pushed open a wrought iron gate, it was because the site was designed by Sir Robert Lorimer (1864-1929). Lorimer had also designed the Scottish National War Memorial at Edinburgh Castle (commissioned in 1919 and opened in 1927) and many more worldwide.”

Image by CWGC

It’s a well-written article that goes on to explain much of the background to the campaign – you can read it here.

Happy New Year!

Tales from the Battlefields

Tales from the Battlefields is a free podcast from battlefield guide and researcher Terry Whenham. It focuses on “the unheard stories of men who served on the Western Front during World War 1.”

However, in Episode 68 of the podcast, Terry interviews Chris Loader who travelled with the Society on the SCS Battlefield Tour in September this year. Chris describes the background to the campaign and his visit to the location where his two-times grandfather on his father’s side, Private Henry Loader of the 10th Hampshire’s, was mortally wounded in September 1918. I listened with a lot of interest to the story of Henry – and Chris’s research and visit – and I’m sure you will find it a worthwhile use of your time too. In my humble opinion of course!

You can listen to the podcast for free on Apple, Amazon Music, Spotify and directly from this page.

Lembet Road Cemetery – final resting place of Henry Loader. Image from CWGC

Dr Isobel Tate

‘X’ (formerly Twitter) is not a favourite medium of mine but it can, in some circumstances, be an informative and interesting forum. In the past year the Society has set up an account and we have managed to both share and learn from this online community. For example, in a series of posts, @DanielJPhelan (Speaker, tour guide, & EOHO volunteer for @CWGC ) shared a thread about a discovery while on holiday in Malta. During his stay, Dan visited Pieta Military Cemetery and it was there that he found the grave of Dr Isobel Tate.


On his return home, Dan researched and shared his findings in a series of posts and images on X (Twitter). Thanks Dan for sharing your research!

“Isobel Addey Tate was born, around 1874, in Country Armagh, Northern Ireland. At a time when female doctors were rare, she studied medicine at Queens University, Belfast graduating in 1899. Continuing her studies, she qualified as a Doctor of Medicine in 1902.

After qualifying, a huge achievement, she moved to England and held a number of positions in hospitals and medical institutions. However, it seems pursuing her career in medicine was not easy…

In 1904, while working at the Burnley Workhouse, Dr Tate obtained a Diploma in Public Health from Victoria University, Manchester. It was thought at the time that Dr Tate was the only lady in the kingdom who had ever secured that honour.

In 1915, with the Great War being fought, Dr Tate volunteered to serve with the Serbian Relief Fund. The relief fund was set up and commanded by Mrs Mabel St Clair Stobart. It had seven women surgeons and doctors, which included Dr Tate.

While serving with the Serbian Relief Fund, Dr Tate contracted typhoid and returned home to convalesce. Once well again she became a radiographer at Graylingwell War Hospital, near Chichester. Feeling she ‘was not doing enough’ Dr Tate offered to go abroad again.

Isobel Tate volunteered for service with RAMC and embarked for Malta in August 1916. In Malta she treated sick and wounded servicemen, including casualties from Gallipoli and Salonika. While working at Valletta Military Hospital she became ill. Sadly, on 28th January 1917, Dr Isobel Tate succumb to her illness and died of typhoid fever.

The funeral of Dr Isobel Tate took place on Tuesday 30th January 1917. Her flag-draped coffin was carried by medical officers, flanked by two lines of wreath carrying NCOs from the RAMC. The firing party contained 40 men of the Royal Garrison Artillery. A lengthy train of medical officers, officers from other units, and local members of the medical profession followed her coffin. At the graveside assembled ‘lady doctors’, principal matron, matrons, sisters, and nurses, from all hospitals and camps on the island.

It’s incredible to think that Isobel Addey Tate lived, served, and achieved so much, in an era before women even had the vote. I think this quote from a newspaper at the time is very fitting.”

You can read the complete thread from Dan on Twitter @DanielJPhelan:

The nature of ‘social media’ does not really allow for detail and detailed discussion, so Dan’s account of Isobel Tate’s life is necessarily short. If you would like to read more about her life, and the challenges she and other women faced, there is a more in-depth examination here.

Remembrance Service – Sandham Memorial Chapel

On Saturday 11th November, members of the SCS, including the Society’s Patron, The Hon. Ann Straker, SCS Chair, Alan Wakefield, Secretary, John Taylor and Treasurer, Ray Brownson, gathered with National Trust staff and volunteers and representatives from the Soldiers of Oxfordshire Museum, including Trustee, Brigadier David Innes to remember those who have died for their country in war and conflict, particularly the men and women of the British Salonika Force. Thanks to Alison Lazarus of the National Trust for organising the service, The Reverend Mark Christian for officiating and Darren Rolfe for the photographs.

SCS Patron, The Hon. Ann Straker after laying the wreath on behalf of the SCS.
SCS Secretary, John Taylor, planting crosses in remembrance of 38218 Acting Bombardier James Thornley and 38368 Bombardier John Edwards.
The Sandham Memorial Chapel with the well dressed and ready for the Remembrance service.

Field of Remembrance – Westminster Abbey

On the morning of Thursday 8 November, SCS Chair, Alan Wakefield, represented the Society at the Opening of the 95th Field of Remembrance outside Westminster Abbey. SCS members Jonathan Saunders and Darren Rolfe were also in attendance. The Field is organised by the Royal British Legion’s Poppy Factory and the SCS is very lucky to have its plot in a prime location opposite the west door of St Margaret’s Church, which stands alongside the Abbey. This year the Field was opened by Her Majesty Queen Camilla who is Patron of the Poppy Factory.

SCS Chair, Alan Wakefield, Her Majesty Queen Camilla about those who served with the BSF during the Salonika Campaign.
The British Salonika Army plot, a tradition started by BSF veterans of the Salonika Reunion Association and continued today by the SCS.
Crosses of Remembrance in the Salonika plot commemorating those who still lie beneath Balkan soil.

New! Version 4 of the SCS Bibliography

The Salonika Campaign Bibliography (with thanks as ever to Keith Roberts) is a valuable resource for anyone interested in the campaign or researching an aspect of it. It’s freely available for members and non-members alike.

Each year we aim to publish an update to the bibliography, as close as possible to the anniversary of the Bulgarian Armistice in late September 1918. And so, we are very pleased to announce the arrival of Version 4! You can find it here.

One of the titles referenced in the SCS Bibliography. Image source: https://www.greatwarforum.org/topic/246275-bibliography-of-books-on-salonika-particularly-memoirs/page/2/

New Mosquito #48 is here!

Issue 48 of The New Mosquito was mailed to Society members by our printers this week. This issue features a fascinating in-depth piece about the 26th Divisional Company Theatre Company and has articles ranging from the Italian Regia Marina to the Society’s innovative ‘Trench Maps Place Names Project’. Not to be missed!


UK members should receive their copy by September 25th, overseas members a little later. If you haven’t received yours, do please let us know and we’ll get a copy to you asap. 

Advanced Dressing Station on the Struma 1916 (Henry Lamb)

I’m grateful to a recent correspondent with the Society for bringing to attention (to me at least!) the work of artist Henry Lamb. In 2014, the Whitworth Art Gallery in Manchester had an exhibition, The Sensory War, to mark the 100th anniversary of WW1. One of the works exhibited was by Lamb: Advanced Dressing Station on the Struma 1916

Image sourced from https://www.aboutmanchester.co.uk/wp-content/uploads/2014/10/Manchester-Art-Gallery-The-Sensory-War-Henry-Lamb-Advanced-Dressing-Station-on-the-Struma-1916.jpg © estate of Henry Lamb / Bridgeman Images. Photo credit: Manchester Art Gallery

Ana Carden-Coyne, who co-curated the exhbition Visions of the Front 1916-18, for the Somme centenary also featured the painting and describes it in this way:

“The scene of a dressing station focuses on the relationship between a wounded man and a stretcher-bearer, who attends him with a cup of water, a great relief that many soldiers wrote about as the comfort given between men. Thirst and cold were understood much later in the war as signs of hemorrhage and shock. The bearer’s hand gently touches the wounded man’s head, providing comfort symbolic of the pietà (Christian iconography of Mary cradling Jesus’ corpse). Indeed, the pietà was often used in war-time humanitarian images of nurses caring for wounded men. But Lamb transforms the theme into an effigy of masculine care and the intimate brotherhood of shared suffering. Placed on the ledge of a shallow trench, the stretcher resembles an altar. In the right hand corner is a Thomas splint used for compound fractures, from which soldiers could die. Pathos is also created by the figure on the left, head in hand, perhaps affected by malaria, a common disease of this front, or perhaps a reference to psychological suffering. The central figure stands over the patient, staring pensively into the distance. Made three years after the end of the war, the composition of this painting symbolises the pain and succour of the entire conflict.”

There’s also discussion of the painting by one of the team at The Whitworth here:

Henry Lamb was born in Australia in 1883 and educated at Manchester Grammar School, before studying medicine at Manchester University Medical School and Guy’s Hospital in London. He abandoned medicine in 1906 to study painting at the Chelsea School of Art but “with the outbreak of the first world war Lamb returned to his study of medicine and served as a doctor in the Royal Army Medical Corps in France, Salonika and Palestine where he was awarded the Military Cross. He was not an official war artist but was always sketching and drawing in spare moments. These sketches with memories from his time on the Macedonian Front and the Palestine campaign formed the basis of large-scale paintings made after the war. ‘Irish Troops in the Judaen Hills’, now in the Imeperial War Museum, and ‘Advanced Dressing Station on the Struma’ for Manchester City Art Gallery are amongst the most extraordinary of his career. In 1928 he married Lady Pansy Pakenham and moved to the quiet Wiltshire village of Coombe Bissett where they would remain for the rest of their lives. Lamb was appointed an official war artist for the second world war and after first wanting to document the war cabinet decided on portraits of soldiers and studies of servicemen at work across the South of England. At the same time as his appointment as a war artist Lamb was elected as an associate of the Royal Academy and a Trustee of both the National Portrait Gallery and the Tate. He was finally awarded full membership of the Royal Academy in 1949.” Sources here and here.