Jimmy Crowley ‘Salonika’

In Episode 68 of Tales from the Battlefields (see previous post) the podcast starts with part of a song by Irish musician Jimmy Crowley. I was intrigued to find out more about the tune…

According to an article in The Irish Examiner the song was popular around the time of the First World War but had fallen out of use in later decades before being discovered by Crowley, “The jaunty ballad is sung from two different female perspectives — the first, a woman whose husband has enlisted in World War I, the title referring to the Greek city of Thessaloniki, which was home to a British military base. These women were known as ‘seperas’ as they were paid separation allowance by the British government when their husbands went off to fight. The other woman in the song is the wife of a ‘slacker’, the term given to men who did not join the army. The women in the song swap jibes and sprinkled through the song are references to Cork locations such as the Coliseum and characters including Dicky Glue, a well-known pawnbroker… It would have been popular as a street ballad up to the time of the Second World War. It is a tremendous song because it gives an insight into the lives of women around the time of the First World War. It kind of died out later, when ballads became uncool, because they were associated with the poor and uneducated. They would have started coming back into vogue with the rise of folk music in the 1960s.”

The song has since been recorded by ‘The Dubliners’ and even appeared on Later with Jools Holland in 2015 played by ‘Lynched’:

Lynched – Salonika – Later… with Jools Holland – BBC Two

And here is the ‘original’ Jimmy Crowley version:


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Author: Andy Hutt

Andy's interest in the campaign comes from his grandfather, Arthur, who served in Salonika as a sapper with the Royal Engineers from 1916-1918. Opinions expressed in these posts are personal and do not necessarily reflect the views of the Society.

One thought on “Jimmy Crowley ‘Salonika’”

  1. Well done Andy, that’s a thoroughly cultured start to the new year: theatre AND music. These are certainly unexplored byways of the campaign – the trouble is, I now can’t get that tune out of my head!

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